refereed publications

As first author:

“Unauthorized: Collaborating with a Performer Collaborating with Creative Systems”
PDF (with Kathryn Rickets)
Generative Art Conference, Rome (2019)


“Interacting with Musebots (that don’t really listen)”
PDF
Sound and Music Computing Conference (SMC), Malaga, (2019)


“Imaginary Miles: Modeling Musebots after Musicians”

“Collaborative Composition with Creative Systems”
PDF
International Symposium on Electronic Art (ISEA), Durban (2018)

“Designing Music with Musebots”
PDF
xCoAx 2017: Computing Communication Aesthetics and X, Lisbon (2017)


“Flexible Generation of Musical Form: Beyond Mere Generation”
PDF (with Oliver Bown, Andrew Brown, Toby Gifford)
International Conference on Computational Creativity, Paris (2016)

“Musebots at One Year: A Review”
PDF
4th International Workshop on Musical Metacreation, Paris (2016)


“Exploring Moment-form in Generative Music”
PDF
Sound and Music Computing, Hamburg (2016)


“Generating Affect: Applying Valence and Arousal values to a unified video, music, and sound generation system”
PDF (with J. Bizzocchi, M. Thorogood, and J. Bizzocchi)
Generative Art Conference, Venice (2015)


“Collaborative Composition with Creative Systems: Reflections on the First Musebot Ensemble”
PDF (with O.Bown and B.Carey)
International Conference on Computational Creativity (ICCC), Park City (2015)


“Generative Music for Live Musicians: An Unnatural Selection”
PDF
International Conference on Computational Creativity (ICCC), Park City (2015)


“A Composer’s Search for Creativity Within Computational Style Modeling”
PDF
International Symposium of Electronic Art (ISEA), Vancouver (2015)


“Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents”
PDF (with O.Bown and B.Carey)
International Symposium of Electronic Art (ISEA), Vancouver (2015)


“Generative Music for Live Performance: Experiences with real-time notation”
PDF
Organised Sound, 19:3 (2014)


“MediaScape: Towards a Video, Music, and Sound Metacreation”
PDF (with J. Bizzocchi, M. Thorogood, and P. Pasquier)
CITAR Journal 6:1 (2014)


“Video, Music, and Sound Metacreation”
PDF (with M.Thorogood, P.Pasquier, J.Bizzocchi, and T.Calvert)
Second conference on Computation, Communication, Aesthetics and X, Porto (2014)


“Generating Structure: Towards Large-Scale Formal Generation”
PDF
AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, Raleigh (2014)


“Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend”
PDF (with O.Bown, P.Pasquier, and A.Martin)
Ninth Artificial Intelligence and Interactive Digital Entertainment Conference, Boston (2013)


Considering Vertical and Horizontal Context in Corpus-based Generative Electronic Dance Music”
PDF (with P. Pasquier)
The Fourth International Conference on Computational Creativity, Sydney (2013)


Evolving Structures for Electronic Dance Music”
PDF (with P. Pasquier)
Genetic and Evolutionary Computation Conference (GECCO), Amsterdam (2013)


“Generating Electronica – A Virtual Producer and Virtual DJ”
PDF
9th ACM Conference on Creativity & Cognition, Sydney (2013)


“The Human Fingerprint in Machine Generated Music”
PDF
xCoAx 2013: Computing Communication Aesthetics and X, Bergamo (2013)


“Embracing the Bias of the Machine: Exploring Non-Human Fitness Functions”
PDF
AIIDE Workshop on Musical Metacreation, Stanford (2012)


“Creative Agents, Curatorial Agents, and Human-Agent Interaction in Coming Together”
PDF (with P. Pasquier)
Proceedings of the Sound and Music Computing Conference, Copenhagen (2012)


“Corpus-based recombinant composition using a genetic algorithm”
Soft Computing – A Fusion of Foundations, Methodologies and Applications


“Evaluating Musical Metacreation in a Live Performance Context”
PDF (with A. Burnett and P. Pasquier)
Proceedings of the International Conference on Computational Creativity, Dublin (2012)


“Populations of Populations: Composing with Multiple Evolutionary Algorithms”
PDF (with P. Pasquier)
EvoMUSART 2012, LNCS 7247, pp. 72–83. Springer, Heidelberg (2012)


“Real-time Composition as Performance Ecosystem”
PDF
Organised Sound 16:2 (2011)


“Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP”
PDF (with P. Pasquier)
Proceedings of the Sound and Music Computing Conference, Padua (2011)


“Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound”
PDF (with P. Pasquier)
Proceedings of the International Conference on Computational Creativity, Mexico City (2011)


“A Sonic Eco-system of Self-Organising Musical Agents”
PDF (with P. Pasquier)
Proceedings of EvoMusArt 11, the European Conference on Evolutionary Computing, Turin (2011)


“Coming Together – Negotiated Content by Multi-agents”
PDF, ACM Digital Library
ACM Multimedia International Conference, Florence (2010)


“Realtime Timbral Organisation: Selecting Samples Based Upon Similarity”
PDF (with P. Pasquier)
Organised Sound 15:2 (2010)


“Realtime Generation of Harmonic Progressions Using Controlled Markov Selection”
PDF (with P. Pasquier)
First International Conference on Computational Creativity, ICCC-X, Lisbon (2009)


“A Realtime Generative Music System using Autonomous Melody, Harmony, and Rhythm Agents:”
PDF
Proceedings of 12th Generative Art Conference, Milan (2009)


“NetBeat and Net4Tet – Networked Performance Instruments for Electroacoustic Music Students”
PDF
Proceedings of IEEE International Conference on Computational Science and Engineering (CSE-09), Vancouver (2009)


“Realtime Selection of Percussion Samples Through Timbral Similarity in Max/MSP”
PDF (with P. Pasquier)
Proceedings of ICMC 09, Montreal (2009)


“The Evolution of Evolutionary Software: Intelligent Rhythm Generation in Kinetic Engine”
PDF
Proceedings of EvoMusArt 09, the European Conference on Evolutionary Computing, Tübingen (2009)


“Emergent Rhythms through Multi-agency in Max/MSP”
PDF
Computer Music Modeling and Retrieval: Sense of Sounds (Lecture Notes in Computer Science) (2009)


“An Agent-based System for Robotic Musical Performance”
PDF
Proceedings of NIME 08, Genova (2008)


“Multi-agent Multimodal Performance Analysis”
PDF
Proceedings of ICMC 08, Belfast (2008)


“The Creation of Evolutionary Rhythms within a Multi-agent Networked Drum Ensemble”
PDF
Proceedings of the International Computer Music Conference, Copenhagen (2007)


“Drum Circle: Intelligent Agents in Max/MSP”
PDF
Proceedings of the International Computer Music Conference, Copenhagen (2007)


“Kinetic Engine: Towards an Intelligent Improvising Instrument”
PDF
Proceedings of Sound And Music Computing, Marseille (2006)


As second or third author:

Pasquier, P., Eigenfeldt, A., Bown, O., Dubnov, S. “An Introduction to Musical Metacreation”, Special Issue on Musical Metacreation, ACM CiE: Computer in Entertainment, ACM Press, Volume 14 Issue 2, Winter 2016


Brown, A., Horrigan, M., Eigenfeldt, A., Gifford, T., Field, D., McCormack, J. “Interacting with Musebots”, New Instruments for Digital Expression (NIME), Virginia Tech, 2018


Pasquier, P., Burnett, A., Maxwell, J., Eigenfeldt, A., Gonzalez Thomas, N. “Investigating Listener Bias Against Musical Metacreativity”, International Conference on Computational Creativity, Paris, 2016


Bown, O., Carey, B., Eigenfeldt, A. “Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents”, International Symposium of Electronic Art (ISEA), Vancouver, 2015


Bown, O., Eigenfeldt, A., Pasquier, P., Martin, A., and Carey, B. “The Musical Metacreation Weekend: Challenges Arising from the Live Presentation of Musically Metacreative Systems”, Proceedings of the Artificial Intelligence and Interactive Digital Entertainment (AIIDE’13) Conference, Boston, 2013


Kapur, A., Eigenfeldt, A., Bahn, C. “Collaborative Composition for Musical Robots”, ArtTech International Conference on Digital Arts, Porto. 2008